I’m an industrial designer with a studio practice. I create objects that are intentional and worth keeping.

I grew up in Providence, Rhode Island, in a family steeped in art, craft, and modernist ideals, and studied Industrial Design at RISD. I’ve always been drawn to the overlap of ornament and utility — design that belongs as much to history as it does to what comes next.

My work moves between digital fluency and handcraft: CAD and renderings when speed and clarity matter, material exploration and fabrication when touch and intuition count. Years of working with factories in Asia, Europe, and the U.S. taught me what it takes to get ideas made well at scale, while a long view of global retail keeps me grounded in how products actually live in the market. I’m good at spotting constraints and using them as fuel for inventive solutions. For me, building skills in both classical and digital methods isn’t just practice — it’s how I push forward, and how I calibrate against the algorithmic average so design stays distinct and future-ready.

I’ve worked with major brands and independent teams to build assortments, rethink systems, and bring products to market. Along the way, I’ve led and mentored design teams, shaping workflows that balance imagination with real-world constraints.

In my studio, I follow threads that don’t need to scale. It’s small-batch, exploratory work where ornament and utility can be reinterpreted, and where color, detail, and form can turn unexpected.

Outside of client work, I grow flowers — another way of exploring color, form, and cycles of making. Curiosity and a high bar for craft run through everything I do.